The Lonely Note Presents: Our Favorite Albums of 2009 (Part I)

Glen Hansard and Markéta Irglová earned a heartfelt Academy Award in 2008 for their song, "Falling Slowly," from the film Once (in which they both starred and performed the soundtrack). Their follow-up, Strict Joy, is as cathartic, focused and intimate as the struggling musicians in Once, while allowing their success to shine through in confident, climactic swells.
Watch the video to: The Swell Season - "Low Rising"

When I first heard "Girl With One Eye" nearly two years ago, I had a feeling it wouldn't be the last I'd hear of F+M. Lungs is an apt title for this debut, because Florence Welch has got 'em. She croons and wails in a Kate Bush-meets-Grace Slick style. Welch's dramatic vocals are backed by delicate harp pluckings and thunderous war drums, yet always manage to soar above the fray. Florence is a machine - a voice to be reckoned with in the new decade.
Florence + the Machine - "Blinding"

Swoon takes the band's dreamy pop shoegaze to a new level, pushing for grandiose layers of distortion without taking away from the hooks. Waves of guitar fuzz build a wall as hypnotically steady drums crash against it. Singer/guitarist Brian Aubert's whisper-to-a-scream vocals resonate perfectly with those of bassist Nikki Monninger. Swoon is a more progressive, yet accessible side of the band.
Watch the video to: Silversun Pickups - "Panic Switch"

Undoubtedly, the indie breakthrough band of the year. The xx play coy, night music for the Zoloft-popping hipster generation. It's dark and pensive, yet sweet and refreshing. The boy/girl vocal trade-offs are those of isolated romantics. Influences from The Cure to Chris Isaak can be heard swirling throughout. It's a debut with enough raw innocence to be strikingly beautiful. This is a rare effort for any band.
The xx - "Infinity"
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