Sunday, October 19, 2014

Limp Bizkit - 'Rearranged'

Limp Bizkit is often minimized as self-indulgent: making music for the mere sake of mentioning their own name in their recordings.  Sure, they do utter the words “Limp Bizkit” in several of their songs.  And Fred Durst seemed pretty into himself during the band’s heyday.  

Nevertheless, the band produced some iconic songs and videos emblematic of the late-nineties.

Of course, everyone had ‘Nookie’ burned into their brains in 1999.  But Significant Other contained some other great gems.  Among them was ‘Rearranged,’ a seemingly mellow rap-rock track with an arc that travels from chill to raucous in the span of about four minutes. 

The video for ‘Rearranged’ follows the band’s faux arrest, referred to in the video for ‘Nookie.'   Interestingly, it featured Matt Pinfield, the former MTV VeeJay and Farmclub.com host.  He plays a judge who sentences the band to death.  Subsequent to that, the band rocks out with their cocks out in the death chamber, playing to the death as the room floods with milk and drowns them. 

The final scene shows the group in what is presumed to be Heaven, having been drowned, when Fred Durst says, “If this were Heaven, I’d be kicking it with Method Man.”  The video cuts to a “To be continued” title screen, setting the stage for the band’s following single, ‘N 2 Gether Now,’ which featured Method Man prominently. 

'Rearranged' was reportedly one of guitarist Wes Borland's favorite tunes of the band's to play.  Indeed, it is one of the undersigned's cherished tracks from the band as well.  


Watch the video to ‘Rearranged’ in the video player below:

Album Review: Godsmack - 'Godsmack'

In 1998, Godsmack was panned as a bunch of Alice in Chains rip-off artists.  Notably, the debut album’s ‘Someone in London’ could have served as sequel to AIC’s ‘Sludge Factory.’  (It also didn’t help that the band shared its name, sans space, with a track from Dirt).   But, for the most part, the Boston band survived off of its own unique energy, as its sound was just hard enough to remove it from the neo-grunge criticisms prevalent of the day. 

Led by Track 2’s ‘Whatever,’ Godsmack shoved its way unto rock and alternative radio with a vengeance.  Angry, pounding, thrashing—yet melodic and slightly poppy—‘Whatever’ served as an anthem for alienated Millennials coming of age in the late-nineties.  Indeed the song’s oft-repeated lyric, “better fuckin’ go away!’ spoke directly to the cohort’s misanthropic attitudes and overall angst. 

Moon Baby’ served as an interesting first track; it features a clip of Neil Armstrong’s famous quote just before the band launches into a driving cut sprinkled with exoticism and mysticism. 

‘Time Bomb’ harmlessly begins like a typical Depeche Mode synth-rock melody before vocalist Sully Erna screams, “I am in living hell; makes me wonder if I’m alive.”  His vocals, of course, are accented by robust guitar and drum work.

Many of the remaining tracks on the album fit within a similar framework:  Sully Erna projects guttural vocals whilst the rest of the band presents thrashing guitars and thumping drums and bass.  The final track, however, departs sharply from this paradigm. 

Godsmack’s final offering, ‘Voodoo,’ is a stripped down tribal chant that, not surprisingly, shares a similar structure with AIC’s ‘Angry Chair.’ But what separates ‘Voodoo’ from ‘Angry Chair’ is an earnest vocal, layered upon sobering acoustic drums and a steady, yet stripped down, bass guitar.  It also contains the same mysticism and exoticism ‘Moon Baby’ serves up—only tenfold. 

As a whole, Godsmack’s debut was a solid premiere, offering true rock fans a great alternative to the emo and pop-punk offerings prevalent of the day.  And 16 years later, it’s still a great album to pop into the ole CD player when you need just a little extra motivation to make it through the day.  

Steve's rating:  4 out of 5 stars.  

Watch Godsmack's live performance of 'Time Bomb' from 2000's Ozzfest in the player below:


Friday, September 05, 2014

George Thorogood and the Destroyers - 'I Drink Alone'

Here's a throwback Thursday post, inspired by a nightcap of rye whiskey (and by my fellow contributor Steve's closet favorite radio station, 95 KGGO).

There's something about pop culture that takes what's inherently cool, and then twists it and repackages it until it doesn't seem cool any longer.  A cliché.  That was always my relationship with George Thorogood and the Destroyers' biggest hit, "Bad to the Bone".

Granted, that song came out a whole year before I was born, but I grew up feeling like it was an "ode to being cool" that was really just pretty corny.

It's the type of song that's reserved for Harley Davidson rallies... no, not a Hell's Angels gathering, but more like an aging gang of American flag bandana-wearing financial planners who take a weekend to ride to Sturgis and drink one Michelob Ultra, because it has fewer calories and is still rather refreshing.

I even had a pair of boxer shorts as a kid that my mom bought from Pamida (anyone still with me?) that was covered in cartoonish skeletons and had a waistband that read, "Bad to the Bone".

You get my point.  But apparently I didn't get my own point recently when I found myself completely and utterly sucked in by one of G.T. and the Destroyers' other singles, "I Drink Alone".

There I was, cruising down a stretch of rural highway, when I quite randomly decided to switch to some classic FM rock radio.

I'd heard the song before, but I'd forgotten just how cool it actually was.  The dirty, blues-rock vibe of the song is undeniable.  Thorogood's voice has that distinctive grit and wail that really nails it on this song. The lyrics are simple, but witty and funny and delivered to perfection.  And then there's that saxophone solo. Seriously, what else do you need?  By the end of the song, I felt like I was Patrick Swayze doing flying kicks in Roadhouse.  It was invigorating.

The moral of this story is that much of what surrounds us deserves a fresh lease on life.  Take something old and look at it in a new way. You might be surprised how much you enjoy it.

Here's the video for "I Drink Alone" by George Thorogood and the Destroyers:



Sunday, August 10, 2014

SOHN - 'Artifice'

I'm certainly a fan of London-based record label 4AD.

Artists such as Bon Iver, Iron & Wine and The National are some of the label's biggest acts to-date, but it's also been credited for breaking out lesser-known indie and electronic artists.

4AD started as a side-label to Beggars Banquet Records in 1979, and was popularized for releasing breakout albums by Bauhaus, Cocteau Twins and the Pixies in the 1980s.

But in recent years, the label has really hit a stride, signing some of independent music's brightest and most creative artists.

One artist on the label that deserves mention is SOHN.

An English multi-instrumentalist, songwriter, and producer, SOHN relocated to Vienna, Austria in 2010 to join the growing electronic music scene.  By 2012, he was signed to Aesop records, and a year later, to 4AD.

His debut album, Tremors, was released in April 2014 and features the lead single, "Artifice".

"Artifice" is a deeply atmospheric chillout session, played at dance-club pace.

It's layered with vibrant jungle rhythms, a haunting backdrop of electronic blips and keys and soulful vocals.

Fans of 4AD label-mates Purity Ring, Twin Shadow and Grimes should definitely give SOHN a chance.

The mysterious video for "Artifice" may be viewed below:




Visit sohnmusic.com for more information on this artist.

Sunday, July 27, 2014

Artist Spotlight: Paul Sprawl



Paul Sprawl is an artist I learned about through another musical connection about a year-and-a-half ago, and his sound caught my attention right away.

Growing up listening to my father's Michael Hedges records, I've long felt a kinship to fingerstyle guitar.  The harmonic tapping of two hands on the neck of the guitar, drumming against the wood body of a hollow acoustic - there's a strange power I've always felt calming and beautiful.

Years later, I became a big fan of Minnesota guitarist Billy McLaughlin and his fingerstyle approach. I've been fortunate to see him play in intimate settings on several occasions and have been continually inspired by the magnetic quality of his live performances.

So, when I learned of Sprawl - another Minnesota-based musician with an incredible talent for fusing fingerstyle, experimental acoustic and bottleneck blues - I jumped at the opportunity to see him perform live.

Paul Sprawl is a California native, who's lived all over the U.S. and most recently settled in the Twin Cities.  He's been performing and writing music since the late '60s, but finally quit his temp job to pursue music full-time in the late '90s.  Choosing the life of a troubadour, Sprawl tours cross-country and internationally, with a staggering work ethic and commitment to his art.

The name "Sprawl" is somewhat perfect for a guitar style which blends technical accuracy with loose jams and unexpected twists.  Occasionally, his songs can start to spin outward and grow abstract, but then he'll suddenly bring them back inward.  His baritone vocals and bluesy harmonica reach through pockets and bring a distinctly American sound to the listener, like a campfire song held in an art gallery.

Sprawl has released nine independent albums, including 2011's stellar Dream Zoo - an album that finds his sprawling guitar technique tightened into more concise pop songwriting structures.  There's a sense of darkness sweeping down echoed halls, like the lyric, "Dreams are kept in cages, People buy tickets, They come to look and listen" from the title track, "Dream Zoo".  It's an album that's set perfectly for an introspective late-night drive down a forgotten highway.

I've met Sprawl on two occasions now and his conversations are well in tune with his songwriting sensibilities.  Both times, I've felt drawn in to his performances in the same meditative way as he seems to be playing - as if the music is light pouring out from some dark place within.

For more information on this artist, please visit: PaulSprawl.com


Saturday, July 26, 2014

Dandelion - 'Weird-Out'

Dandelion emerged with 'Weird-Out' just as grunge was beginning to die off.  In many ways, the tune comes across as a blatant Nirvana rip-off.  (Maybe it's the double tracking of the vox track?)  Yet, there is something just a little bit different about the arrangement that distinguishes the song from the Cobain led troupe.

Dandelion never really went anywhere after the modest success of 'Weird-Out' wore itself out.  Indeed, the band found themselves the subject of ridicule in a Beavis and Butthead episode.    Nevertheless, Dandelion is surely a band that epitomizes the 1990s alternative music scene, especially when you consider the band's other singles: 'Under My Skin' and 'Waiting for a Ride'.  The video for 'Weird-Out,' for instance, features Gen-X slackers, dressed in t-shirts and jeans, vocalizing in shoe-gaze style whilst jamming out hard on the guitars.  The music is Pixies-inspired, the exuberance muted, and a slowed down Punk beat serves as backdrop--characteristics most grunge music shared with each other in that time.

Watch the video for 'Weird-Out' in the player below:


Sunday, June 29, 2014

Morcheeba - 'The Sea'

This one is an oldie, but a goodie.  'The Sea' was featured on Morcheeba's 1998 release, Big Calm.  It's trip-hop all chilled out, and is--once again--another song well suited for a lazy Sunday.

Watch the video for 'The Sea' below:


In the Valley Below - 'Peaches'

'Peaches' contains catchy electro loops and a dainty chorus.  It's the perfect song for a lazy Sunday afternoon.

Watch 'Peaches' by In the Valley Below in the video player below (wow, that's a mouthful):


Tuesday, June 17, 2014

Jagwar Ma - 'Uncertainty'

Industrial rock sprinkled among nineties shoegaze, Jagwar Ma presents a clamorous single with 'Uncertainty.'  Slightly detached, yet surprisingly focused, the recording is quite compelling.

Watch the video to 'Uncertainty' in the player below:

Saturday, June 14, 2014

Future Islands - 'Seasons (Waiting on You)'

If Fine Young Cannibals had recorded a single in 2014, 'Seasons (Waiting on You)' would have been it.  The track is defined by synth, driving drum and bass, and a soothing vocal.

Watch the video for 'Seasons' by Future Islands in the player below:

Bear Hands - 'Giant'

"I am loving you more."
Bear Hands sets forth a catchy electronica-infused drum and bass single with 'Giant.' The track has gained greater airplay on regional indie stations as of late.  Of course, that's mostly due to its infectious chorus.

Watch the video for 'Giant' by Bear Hands in the player below:



Sunday, June 01, 2014

Rixton - 'Me and My Broken Heart'

Here's some more British blue eyed soul for ya:

'Me and My Broken Heart' is infectious, to say the least.  Part Bruno Mars, part Maroon 5, Rixton sets forth a stylish summer crossover hit with the single that seems to be blowing up everywhere.

Watch the video for 'Me and My Broken Heart' below:

Ed Sheeran - 'Sing'

'Sing' is a pleasing blend of folk and hip-hop by UK redhead Ed Sheeran.  Pharrell Williams lends his Midas-Touch to the bridge, joining Sheeran's soulful chops in near perfect unison.  Sheeran does a great job rapping some of his lyrics as well.

Watch the video to the exciting 'Sing' below:


Wednesday, May 21, 2014

Jesse McCartney - 'Superbad'

Jesse McCartney reinvents his boyish image in the new video epic, 'Superbad.'  Smokin' stogies and sippin' down scotch, the Leo-lookalike's babyface doesn't entirely sell the new Don Draper playboy image.  But it's nevertheless an okay start to a potentially new dynamic career.

On the other hand, the vocals and underlying audio are great.  Jesse's voice has matured, and the end product is one worthy of JT or Michael Jackson.

Watch the official video for 'Superbad' below:


Ariana Grande - 'Problem'

If you liked it when Amerie belted "It's the One Thing That Got Me Trippin!," then you'll really like 'Problem' by Ariana Grande.

The tune has been climbing the charts lately, but despite its popularity, it's thankfully not pure saccharine like the rest of the Top 40.  Instead, 'Problem' is an amalgam of thumpin' bass, Jay-Z-inspired lyrics in the bridge, careless whispers, and some catchy hot sax (see Late Night with Jimmy Fallon).

Stream 'Problem' in the video player below: